‘1917’ Review: Sam Mendes and Roger Deakins Deliver a Staggering Technical Achievement Film DazeRyan NineslingDecember 6, 2019
The 25 Best Female-Directed Films of the Decade (Excerpts on 'Lady Bird' and 'You Were Never Really Here') Film DazeRyan NineslingNovember 25, 2019
LFF '19: ‘Judy & Punch’ Review: Mirrah Foulke’s Fairy Tale Satire Is All Bark and No Bite London Film FestivalRyan NineslingNovember 12, 2019
LFF '19: ‘Calm With Horses’ Review: A Seemingly Familiar Gangster Story Elevated by Cosmo Jarvis London Film FestivalRyan NineslingNovember 12, 2019
LFF '19: ‘Rare Beasts’ Review: Billie Piper’s Directorial Debut Is a Deeply Flawed but Ambitious Look at Modern Love London Film FestivalRyan NineslingNovember 12, 2019
LFF '19: ‘Vivarium’ Review: Imogen Poots Shines In Otherwise Unremarkable Sci-Fi Satire London Film FestivalRyan NineslingNovember 12, 2019
LFF ’19: Pablo Larraín’s ‘Ema’ Is a Hypnotic Cocktail of Sex, Dance, and Family Drama London Film FestivalRyan NineslingNovember 4, 2019
LFF '19: ‘Marriage Story’ Review: Noah Baumbach’s Moving Ode to Failed Love Is a Powerful Showcase for Adam Driver and Scarlett Johansson London Film FestivalRyan NineslingOctober 16, 2019
LFF ’19: ‘Babyteeth’ Is a Poignant Subversion of Cancer Drama Stereotypes London Film FestivalRyan NineslingOctober 12, 2019